![]() ![]() Ryuichi Sakamoto – The Revenant Main Theme AtmosphericĢ1. Alva Noto, Bryce Dessner, Ryuichi Sakamoto – Cat & MouseĢ0. Ryuichi Sakamoto & Alva Noto – Second Dreamġ9. Ryuichi Sakamoto – The Revenant Theme 2ġ6. Ryuichi Sakamoto, Alva Noto, Bryce Dessner – Powaqa Rescueġ5. Ryuichi Sakamoto & Alva Noto – Church Dreamġ3. Ryuichi Sakamoto – Arriving at Fort Kiowaġ2. Ryuichi Sakamoto – Glass and Buffalo Warrior Travelġ1. Ryuichi Sakamoto & Alva Noto – Discovering Buffaloġ0. Ryuichi Sakamoto & Alva Noto – First DreamĠ8. Ryuichi Sakamoto & Alva Noto – Carrying GlassĠ4. Alva Noto & Bryce Dessner – Hawk PunishedĠ3. Ryuichi Sakamoto – The Revenant Main ThemeĠ2. Bryce Dessner (writer for Kronos Quartet and the LA Phil) also supplies additional music.Ġ1. ![]() Along with fellow Yellow Magic Orchestra member and frequent collaborator Alva Noto, Sakamoto has created a gripping soundtrack that is sure to be a treat for the winter crowds. Lawrence, The Last Emperor) fits the bill perfectly. Japanese master and Oscar winner Ryuichi Sakamoto (Merry Christmas Mr. A film of this magnitude deserves a composer who understands creative artistry and unbridled passion. Director Iñárritu has chosen to forgo almost all dialogue in favor of a gorgeous soundscape and a sweeping score. The film is heavily favored to be a critical darling as awards season gets under way. The Revenant is a story of loss, revenge and resilience in the face of impossible odds against the furies of man and nature itself. Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Milan Records The release of Discord was sold in a that was covered by a blue-colored made of, while the CD also contained a data video track.Ryuichi Sakamoto, Alva Noto, Bryce Dessner – The Revenant (Original Motion Picture Soundtrack) (2015)įLAC (tracks) 24 bit/44,1 kHz | Time – 01:10:41 minutes | 642 MB | Genre: Soundtrack During December 1996 Sakamoto, composed the entirety of an hour-long orchestral work entitled 'Untitled 01' and released as the album Discord (1998). 1990s In 1995 Sakamoto released Smoochy, described by the Sound On Sound website as Sakamoto's 'excursion into the land of easy-listening and Latin', followed by the album, which featured a number of previously released pieces arranged for solo piano, violin and cello. (1991) and Sweet Revenge (1994) features Sakamoto's collaborations with a global range of artists such as, Dee Dee Brave, Marco Prince, and. (1989) features a track list that combines pop with traditional Japanese and, as well as guest appearances by, and. As his solo career began to extend outside Japan in the late 1980s, Sakamoto's explorations, influences and collaborators also developed further. For the song 'Broadway Boogie Woogie', Sakamoto liberally used samples from 's film and blended them with raucous, sax-driven techno-pop. ![]()
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